Tags : Indian classical dance

SANDIP SOPARRKAR

Adrija Das: How Bharatanatyam Became a Journey of Self-Realisation and

A Bharatanatyam dancer, educator, writer, activist, and a budding politician from Kerala, Adrija Das is a transgender artist, she has transformed her personal journey of self-realisation into a powerful artistic expression. She has trained under several renowned gurus and is particularly known for her nuanced abhinaya. She became the first transgender jury member in the […]Read More

SANDIP SOPARRKAR

Sonal Mansingh Calls for Indian Heritage Service to Protect India’s

In an era where rapid development often overshadows cultural preservation, iconic Bharatanatyam and Odissi exponent, former Rajya Sabha Member, and Padma Vibhushan awardee Dr. Sonal Mansingh has made a compelling appeal for the creation of an Indian Heritage Service (IHS)—a specialised cadre dedicated to protecting and promoting India’s rich cultural heritage. In this exclusive conversation, […]Read More

SANDIP SOPARRKAR

Vinay Tiwari: Reviving Bhojpuri Identity Through the Grace of Bharatanatyam

A Bharatanatyam dancer, Podcaster, TedX speaker and an emerging choreographer Vinay Tiwari, has trained under Vidushi Rama Vaidyanathan. Hailing from Salempur in eastern Uttar Pradesh, he is committed to bringing Bhojpuri language, culture, and traditions into the world of Indian classical dance. His debut solo production ‘Abhadra’ reflects his unique artistic vision and explores the […]Read More

SANDIP SOPARRKAR

Dr Sandhya Purecha on Global Dance Overture: How Dance is

An eminent scholar, performer, and researcher in Indian classical dance, particularly Bharatanatyam is Dr Sandhya Purecha. She currently serves as the Chairperson of the Sangeet Natak Akademi, India’s apex institution for the performing arts under the Ministry of Culture. A recipient of numerous national and international honours, she has made significant contributions to dance education, […]Read More

SANDIP SOPARRKAR

Vidushi V. Deeksha Creates History with 216-Hour Non-Stop Bharatanatyam Performance,

For nine days and nine nights, Bharatanatyam dancer Vidushi V. Deeksha lived inside rhythm, breath, and belief at the auditorium of Dr. G. Shankar Government Women’s First Grade College, Ajjarakadu, Udupi, Karnataka, she performed continuously for 216 hours, resting only 15 minutes every three hours. When she finally concluded at exactly 3.30 p.m. on the […]Read More

SANDIP SOPARRKAR

TWO BODIES, ONE CONSCIOUSNESS

At Pravaha, a festival dedicated to showcasing and premiering new productions, Shringara Bhakti 2.0 emerged as a deeply reflective and aesthetically layered dance feature. Show at NCPA Mumbai was conceptualised and curated by Dr. Usha RK, an arts consultant with over four decades of experience, the production explored the interdependence of śṛṅgāra (love) and bhakti […]Read More

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