Perspective on Paper: Artist Kajal Nalwa’s Solo Exhibition Celebrates Women and Nature

Rajkumari Sharma Tankha

rt lovers in Delhi will have the opportunity to explore the latest works of Noida-based artist Kajal Nalwa at her 15th solo exhibition, Perspective on Paper. The exhibition opens on October 7 at the Open Palm Court Gallery located inside the India Habitat Centre.

The exhibition showcases Nalwa’s artworks created in charcoal and watercolours on paper. Continuing with her long-standing artistic exploration, the central theme of the show revolves around women, nature, and their deep interdependence as life-givers. Through her work, the artist attempts to draw attention to the important role women play in preserving the natural environment.

Exploring the Connection Between Women and Nature

In Perspective on Paper, Kajal Nalwa portrays various dimensions of a woman’s life through semi-abstract forms that blend harmoniously with elements of nature.

According to the artist, her work seeks to highlight the spiritual and emotional connection between women and the natural world.

“In this exhibition, I have portrayed various aspects of women’s life. I believe that a woman, in a semi-abstract form merging with her natural surroundings, brings an undercurrent that correlates divinity with nature,” she explains.

Through delicate compositions and subtle textures, Nalwa’s works invite viewers to reflect on the harmony between human life and the environment.

Completing a Creative Circle

This exhibition also represents a symbolic return to Nalwa’s artistic beginnings.

She initially entered the art world working with watercolours, before gradually moving towards oil on canvas, where she developed a distinctive style using a palette knife. Over time, she became known for her expressive oil paintings.

With Perspective on Paper, the artist revisits her early medium, once again working with watercolours and charcoal to create intimate, layered compositions.

Early Exhibitions and Artistic Journey

Kajal Nalwa’s journey in the art world began in 1999 when she participated in a group exhibition at The Lalit New Delhi. The positive response and critical appreciation she received encouraged her to pursue her artistic path more seriously.

In 2000, she held her first solo exhibition at Art Folio in Chandigarh, which was widely appreciated by art enthusiasts and critics alike.

Her first solo exhibition in Delhi took place in 2002 at the Lalit Kala Akademi. The exhibition was inaugurated by the then Prime Minister of India, Manmohan Singh, and received rave reviews, marking a significant milestone in her career.

Since then, Nalwa has continued to exhibit her work regularly, steadily building a strong reputation in the contemporary Indian art scene.

Inspiration from Nature and Masters of Art

Nalwa’s fascination with art began during her childhood. Painting and sketching came naturally to her, and she often viewed the world around her through the lens of colour, texture, and light.

Her early years played a significant role in shaping her artistic sensibilities. She studied at The Lawrence School Sanawar, near Shimla, where the scenic surroundings nurtured her connection with nature.

Later, after marrying an Army officer, she lived in several cantonments across India, further strengthening her bond with natural landscapes.

“Nature impresses, intrigues and inspires me,” she says.

Among the artists who have influenced her work, Nalwa cites Vincent van Gogh and Satish Gujral as important sources of inspiration.

A Life Dedicated to Creativity

For Kajal Nalwa, art is not just a profession but a deeply fulfilling way of life.

“I am happiest when I am drawing and painting. I thank God every day for giving me this creativity,” she says.

Outside the studio, the artist enjoys listening to music and watching movies, activities that also inspire her creative imagination.

With Perspective on Paper, Nalwa once again invites viewers to experience the beauty of art that celebrates the profound relationship between women, nature, and life itself.