Indian classical dance is a magnificent expression of the country’s cultural heritage, yet it often struggles to reach audiences beyond dedicated enthusiasts. Seeking to bridge this gap, Gayatri Mishra, Director of the Pune Art and Culture Foundation, conceptualised Ashta Bhava Ashta Nritya – Mahabharata, an ambitious production bringing together all eight recognised Indian classical dance […]Read More
Tags : performing arts
Kathak exponent and choreographer Jayanti Mala Mishra recently presented her artistry in Ramayan Nritya Natika. It was presented by Mahaan Nrityangana Sitara Devi Gurukul, Kala Kriti Kendra and Sangeeta Tiwari Trust. The production brought together dance, music and theatre to narrate the journey of Lord Ram, from his birth to the establishment of Ram Rajya. […]Read More
I recently met supremely talented, an accomplished photographer and filmmaker Sangeeta Das Banerjee, whose journey began with a background in economics and evolved into visual storytelling. She has extensively documented Indian classical dance, theatre, and performing artists. She is associated with One Frame Story. Excerpts from the interview: How and when did you decide to […]Read More
kar, I A French-born dancer, choreographer, actor, and movement practitioner Dr. Gilles Chuyen, has been based in India since 1994. Trained in folk dance, Modern Jazz, ballet, and contemporary dance in France, he later explored Chhau Mayurbhanj, yoga, meditation, and Indian classical dance traditions. He has choreographed more than 50 plays and musicals and has […]Read More
A Bharatanatyam dancer, Podcaster, TedX speaker and an emerging choreographer Vinay Tiwari, has trained under Vidushi Rama Vaidyanathan. Hailing from Salempur in eastern Uttar Pradesh, he is committed to bringing Bhojpuri language, culture, and traditions into the world of Indian classical dance. His debut solo production ‘Abhadra’ reflects his unique artistic vision and explores the […]Read More
These two words – GSP and GPS- are basic to our culture. Indian culture, today or eons ago, is about ancestor worship, elements worship (vedic times), later, idolisation, bhakti, shakti and all progressions. In the art field, especially our abhyaas arts, that’s performing like dance, music, even acting a guru was paramount to learn not […]Read More
One of Pakistan’s most fearless cultural voices, who uses dance as a powerful medium for artistic expression, social justice, and women’s empowerment is Sheema Kermani. A renowned classical dancer, choreographer, actor, and human rights activist, she has spent decades challenging conservative norms while keeping the traditions of Bharatanatyam, Odissi, and theatre alive in Pakistan. As […]Read More
Internationally respected Kathak maestro and one of the foremost disciples of the legendary Padma Vibhushan Pandit Birju Maharaj, was Padmashri Guru Pandit Pratap Pawar (MBE), passed away recently at the age of 84. His demise marks the end of an extraordinary chapter in the history of Indian classical dance. The world of Indian classical dance […]Read More
An eminent scholar, performer, and researcher in Indian classical dance, particularly Bharatanatyam is Dr Sandhya Purecha. She currently serves as the Chairperson of the Sangeet Natak Akademi, India’s apex institution for the performing arts under the Ministry of Culture. A recipient of numerous national and international honours, she has made significant contributions to dance education, […]Read More
Contemporary dancer and choreographer Narayan Sharma recently presented his powerful solo production Saṁhṛti in the capital. A deeply philosophical work, the 40-minute performance explores the mysteries of life, death, memory, and the soul’s eternal journey through movement, music, puppetry, and theatrical design. In this conversation, Sharma reflects on the inspiration behind the work, the creative […]Read More