We all have heard myriad stories about lord Ram, seen it in a form of drama or dance or even both, but at the recently held Ramotsav by Padma Vibhushan Dr Sonal Mansingh in the capital RSS Chief Mohan Bhagwat said, “I have seen Many Ram Kathas, but this one by Sonal ji was totally […]Read More
As a child, she recognised and knew her path. As an adolescent, she was convinced of her path. As an adult, her streak of rebellion became the strength of walking the path. Her eyes could portray the depth of love of Radha as eloquently as the fury of Draupadi. Her movements resplendently displayed the forms […]Read More
Leave it to our artistes (performing) or artists (plastic) to live up to the demands of times. Through their art works, they try make a statement, reach out and bring ordinary concepts centre stage. Sonal Mansingh did that at HABITAT with Karmayogi, which profiles the PM without even once showing his photo on stage. This […]Read More
While most things start humbly, some grow to become a banyan tree. “Sitting under a banyan tree, you’d find a Bharatanatyam teacher” my father was told in 1940s, when he asked Ram Gopal group members Mrinalini Sarabhai and MK Saroja where to learn Bharatanatyam from. They said so because their teacher Vidwan Muthukumaran Pillai had […]Read More
Have you ever thought why some dance shows penetrate into our souls and some dance photos leave an ever lasting impression? Is it just the dance and the dancer or there is more to it? Well, yes, the dance and the dancer indeed are an integral part but what equally matters is the light design. […]Read More
In last column, I had focused on symbols in Indian culture. What is India’s one symbol that is pan Indian. It is Nataraja now. No wonder when the mandarins of ministry of culture thought what to put in front of spaceship called Bharat Mandapam they first thought of some sculpture. Then the idea of pancha […]Read More
Upasana Kaura The opening lines of the Foreword by Ruskin Bond could not have fit better than the author of Hotel Adventures With The Stars – “L Aruna Dhir is one of those people who pop in and out of your life from time to time, like a ray of sunshine bursting through the clouds. She is […]Read More
So, ABC…kithhe gayi si? This was a ditty we heard as children growing up in Punj land (that’s most of Delhi and above! till Kashmir. As a language and culture, it dominates). A for Arangetram too. That’s very Madrasi or South Indian. Having had this for mother’s tongue literally (Tamil), we were also exposed to […]Read More
There was a time when in the world of Indian classical dance dancing solo was extremely important. With as the times changed group dances started getting popular and dancing as a duo was always a privilege of couples. But, here we have a rarest of the rare combinations – two male dancers dancing one of […]Read More
This was a term coined in the 1980s and much in vogue. It was meant to describe those who had interest in cultural activities, viz. organisers, sponsors, patrons or performers. I even had a column going by the same title, in a popular Delhi city magazine called First City, run by a debonair Bharat Kapoor. […]Read More
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