Indian Classical Dance and Yoga Flourish in Uzbekistan

The vibrant essence of Indian culture is making waves in Uzbekistan, where Indian classical dance, yoga, and the Hindi language are enjoying an unprecedented surge in popularity. At the heart of this cultural renaissance is the Lal Bahadur Shastri Centre for Indian Culture (LBSCIC) in Tashkent, a hub of creativity and learning that has become a beacon for local’s eager to explore India’s rich traditions. From teenagers to septuagenarians, Uzbek citizens are enthusiastically embracing these art forms, forming an inspiring bond between the two nations.

A Centre of Cultural Diplomacy

Established in 1995, just three years after India and Uzbekistan formalised diplomatic relations, LBSCIC has grown into the largest Indian cultural centre in Central Asia. Initially called the Indian Cultural Centre, it was renamed the Lal Bahadur Shastri Centre for Indian Culture in 2005 to honor one of India’s most beloved leaders. The Centre has since become synonymous with promoting cultural diplomacy, offering over 40 weekly programs that showcase Indian art, music, language, and spirituality.

Nigora, a translator at the Centre, shares the enthusiasm of local participants: “There are over 1,500 students enrolled in various courses, including Kathak, yoga, and Hindi. Everything Indian is much loved and appreciated here.”

Kathak: A Dance of Connection

Kathak, one of India’s most elegant classical dance forms, has found a passionate audience in Uzbekistan. Nikita, the Centre’s Kathak instructor, has been instrumental in this cultural exchange. Teaching students from various age groups, she has witnessed the transformative power of dance. “The students are very enthusiastic about the Kathak classes I teach, and they rarely miss a session. My oldest student is 72, and she’s just as skilled as the others. I also teach them other group dances, like garba,” Nikita shares with pride.

Her classes are not merely lessons in dance but also cultural storytelling sessions that weave together the history and philosophy behind Kathak. This classical art form’s intricate footwork and emotive expressions resonate deeply with the Uzbek students, many of whom come from an equally rich cultural heritage.

A Cultural Revolution Led by LBSCIC in Tashkent

Yoga: A Path to Wellness

Yoga, India’s gift to global health and spirituality, has gained significant traction in Uzbekistan. The Centre offers yoga classes that cater to a wide demographic, from beginners to seasoned practitioners. The popularity of yoga is evident during events like International Yoga Day, celebrated with great enthusiasm at LBSCIC. The ancient practice’s holistic benefits—promoting physical health, mental clarity, and emotional balance—have struck a chord with the Uzbek community, making it a cornerstone of the Centre’s programs.

Yoga’s universal appeal has bridged linguistic and cultural gaps, allowing individuals from diverse backgrounds to find common ground in the pursuit of wellness.

Language as a Bridge

The Hindi language, a vital component of Indian culture, is another key offering at the LBSCIC. Uzbek students, many of whom grew up watching Indian films and television, are now learning to read, write, and speak Hindi. This linguistic exchange not only deepens their understanding of Indian traditions but also opens up opportunities for meaningful connections between the two nations.

The Centre’s well-equipped library further supports this linguistic and cultural exploration. With a collection of books in English, Hindi, Russian, and Uzbek, it serves as a repository of knowledge for those curious about India’s history, literature, and philosophy.

Expanding Horizons

The Indian Council for Cultural Relations (ICCR) has played a pivotal role in strengthening India-Uzbekistan ties by establishing the ‘India Chair’ at the University of World Economy and Diplomacy in Tashkent. This initiative aims to engage young Uzbek scholars with India’s rich academic and cultural legacy. The Chair fosters intellectual exchange, encouraging students to explore India’s contributions to fields like economics, politics, and culture.

Why Uzbekistan Loves Indian Culture

Uzbekistan’s fascination with Indian culture has historical roots. The two regions have been connected for centuries through the Silk Road, which facilitated the exchange of goods, ideas, and traditions. This enduring connection has been rejuvenated in modern times through cinema, which introduced generations of Uzbeks to Indian songs, dances, and stories. As Nigora explains, “Everything Indian is much loved and appreciated here.”

This admiration extends beyond entertainment, manifesting in a deep respect for Indian philosophy, spirituality, and art. Programs at LBSCIC tap into this cultural affinity, offering Uzbeks a chance to experience the soul of India first-hand.

Empowering Through Dance and Yoga

For many Uzbek women, especially, the LBSCIC represents a space of empowerment and self-expression. Whether mastering Kathak’s rhythmic footwork or achieving inner peace through yoga, these activities offer them a sense of accomplishment and community. Nikita’s classes, in particular, have become a sanctuary where women of all ages come together to celebrate their shared love for Indian dance.

The participation of older students, like Nikita’s 72-year-old Kathak enthusiast, highlights the Centre’s inclusivity. It sends a powerful message that age is no barrier to learning and that passion can flourish at any stage of life.

A Model for Cultural Diplomacy

The success of LBSCIC in Uzbekistan serves as a testament to the power of cultural diplomacy. By fostering mutual appreciation and understanding, the Centre strengthens the bond between India and Uzbekistan. Its programs not only celebrate India’s heritage but also create a platform for cross-cultural dialogue, inspiring a new generation of global citizens.

As India and Uzbekistan continue to deepen their ties, the LBSCIC stands as a shining example of how culture can transcend borders, enriching lives and building bridges between nations. With its diverse offerings and dedicated instructors like Nikita, the Centre promises to remain a cornerstone of this growing partnership, spreading the light of Indian culture across Central Asia.

Sandip Soparrkar holds a doctorate in world mythology folklore from Pacific University USA, an honorary doctorate in performing arts from the National American University, He is a World Book Record holder, a well-known Ballroom dancer and a Bollywood choreographer who has been honored with three National Excellence awards, one National Achievement Award and Dada Saheb Phalke award by the Government of India. He can be contacted on sandipsoparrkar06@gmail.com