Benoy K Behl Perhaps the most favourite subject of the early Indian sculptor is Durga as Mahishasurmardini where she kills the demon of ignorance in the form of a mahisha or buffalo. The depiction of her in a 7th century cave at Mamallapuram is one of the finest jewels of Indian art. In Indic thought, the only evil is […]Read More
Benoy K Behl The word “Puja” has sometimes been misinterpreted, by European writers, as “prayer”. Others have understood it correctly to mean “adoration”. Indic deities are adored, with incense, water, milk, flowers and through music and dance. The purpose of the philosophic path is for us to be able to see the truth beyond. To […]Read More
Benoy K Behl One of the contributions of the Indian philosophic streams is that there are no barriers placed between the spiritual world and the world of the senses. The art of this tradition is a fulsome sharing of the life experience, in all its aspects. It sees our perceptions, from the sensory to the […]Read More
Benoy K Behl In ancient times, works of art were meant to convey the Truth as experienced by the artist. No thinker or artist claimed that it was solely he who had seen the Truth. In fact, great teachers of the ancient period in India, including Gautama Buddha and Mahavira, each state that he only […]Read More
Benoy K Behl For the sculptor in ancient India, the grace of divinity is everywhere. The stone before him contains the image of divinity and it is for him to but remove the outward aspects and to reveal that form. The process of making an image is not only a personal joy of discovery and […]Read More
Benoy K Behl In ancient Indian philosophy, the high purpose of life is to seek reintegration with the one. To perceive ourselves as part of the divinity of existence, thereby to lose the pain of a life caught in the web of endless desires. The aesthetic experience is considered to be of great value. Our […]Read More
Benoy K Behl It is in the Dungkar Caves of the 10th-11th century that you can find the oldest surviving Tibetan murals. These are at extremely high altitude in a very remote part of western Tibet, far beyond Mt Kailash. This graceful figure is very similar to those seen in the paintings of Nako, Alchi and […]Read More
Benoy K Behl I am sharing the story behind the challenging photography of the inner ambulatory paintings of the Brhadiswara temple at Thanjavur. The documentation of the narrow and dark inner ambulatory was done using long exposures. In fact, IGNCA had approached me in 1991 because they as well as French photographers were finding it […]Read More
Benoy K Behl Earlier this month you saw the rarely seen Parvati painting of the 7th cent. at Pannamalai. It gives me pleasure to bring to you a photograph of a vibrant painting of the end-10th cent., from the inner ambulatory of the Brhadiswara Temple, Thanjavur. Far beyond mere optical reality, the painter conveys the […]Read More
In the last part of the 12-part series on Buddhism in India, art historian and producer-director BENOY K BEHL talks about Buddhist art in India The film is about the heritage of Buddhist art in India, from the Bharhut and Sanchi Stupa railings of the 2nd cent. BCE, through the art of the Kashmiri painters […]Read More
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