Harappan Archaeomusicology research to recreate ancient sounds

 Harappan Archaeomusicology research to recreate ancient sounds

Team L&M

India International Centre (IIC) recently presented a unique programme on Harappan Musicology and New Linguistic Evidence for Words they may have Spoken. It was an audio-visual presentation by Shail Vyas, Homi Bhabha Fellow, Mumbai, musicologist and composer. The program was chaired by KN Shrivastava, Director, IIC, IAS (Retd.). Others present included archaeologistsย Dr RS Bisht (Former Joint Director General, Archaeological Survey of India), Dr Vasant Shinde (Former Vice Chancellor, Deccan College), Dr BR Mani (Former Director General, National Museum) and Dr KN Dikshit.

The presentation was moderated by Dr VN Prabhakar, Associate Prof. IIT Gandhinagar; Former Director, Archaeological Survey of India

The programme presented a unique experience of recreated sounds and music of Harappan musical instruments and to hear the words they may have spoken – a new and fascinating research on Harappan Archaeomusicology that attempts to recreate ancient sounds. Harappan music has never been studied so far. Vyas has been working on this subject to solve this problem since 2011. He has identified about 20 possible instruments from Harappan period and many more from other ancient times. He also attempted a recreation of early prototypes of various Harappan instruments, which were shown in context of a musical performance through a beautifully shot high quality video.

This innovative multidisciplinary research also revealed a large set of linguistic data that strongly point towards a language that the Harappans may have spoken, a fiercely-debated question of ancient Indian history with respect to Aryan theory.

Harappans had possibly a large-scale trade with other contemporary civilisations like Mesopotamia. In his research for any cultural exchanges that might have transpired along with the trade, Vyas found many iconographic evidences. He found written records of about 60 terminologies related to music in Sumerian literature, out of which about 30 are found to have Sanskrit originated names, including names of instruments, designations for musicians, musical notations etc. To verify the direction of this exchange, terms related to well known Harappan trade items were studied which revealed 60 more terms with Sanskrit etymologies. These include species of woods, jewellery, beads, seals, units of measurement etc. This is oldest known written records of Sanskrit terminologies found till now. Some examples are given below.

Examples of musical terminologies:ย 

Sanskrit Sumerian Sanskrit meaning Sumerian meaning
แธiแน‡แธima dimdim a kind of drum a musical instrument
mแน›ja meze a kind of drum a drum
ล›arkara ลกukarak a kind of drum a musical instrument
vฤแน‡a bana arched harp arched harp
แธamaru dimmarลกu a sacred drum a musical instrument
ล›amyฤ ลกamuลกa a kind of cymbal or other musical instrument a type of instrument
mangalatลซrya malgatum an instrument played at festivals a musical instrument
mแน›tyutลซrya miritum an instrument played at funerals a musical instrument
sฤyaแนƒtลซrya sabitum an instrument played at evening a musical instrument
kinnara nar a class of anthropomorphic

musicians and singers

a musician and singer
แนฃaแธja sagida a musical notation a musical notation
gada gude a musical instrument a lute
gargar harhar/ ฤarฤar a lute a musical instrument
svara saฤara a musical notation a musical notation
stavitแน› eลกtalu a praiser, singer a type of singer
gatแน›/gala gala a singer/a musical instrument and throat lamentation singer

ย 

Examples of other trade items:

Sanskrit Sumerian Sanskrit meaning Sumerian meaning
mes meแนฃฤซ the tree Dalbergia Ougeinensis a tree (from Meluhha

– i.e. Harappan civilization)

Asana

(common names

asain, asin, sain, ain, saaj, aisan, etc.)

esi the tree Terminalia Tomentosa a tree (from Meluhha)
abja (Mangrove, Indian Oak,

Itchytree etc.)

abak the tree Barringtonia Acutangula a tree (from Meluhha)
ล›iแนƒล›apฤ

(ล›ฤซล›am, sisam,

samazum the tree Dalbergia Sissoo a tree

 

sissu, etc.)
sลซtrakฤra ลกukara a carpenter carpenter
Ammarฤ amra/amru the second beam of timber over a door beam, timber
praล›as paลกu an axe a type of axe
mฤna mana a particular measure or weight a unit of weight
droแน‡a dana a unit for measuring fields a unit of length
goแน‡ฤซ gun a weight measure a unit of weight
Sindhu hindum Name of Indus river, used in identity of Indian land, people, religion, products etc. a bead (the most abundantly found Harappan export all over Mesopotamia)
hiraแน‡ya hiriatum any vessel or ornament made of

gold

an ornament of gold
nepathya nabihum an ornament, decoration, costume (especially of an actor) an ornament
mudrฤ musara/ maลกdara seal, inscription inscription
sravadraแน…ga ลกakanka market, stirring town, a fair market
nidhimat nakamtum forming a store or containing treasure storehouse
aแนƒsakลซแนญa asqumbitum a bull’s hump hump
nandi ninda ล›ivaโ€™s bull (a bull calf) bull calf
romaล›/lomaล› maลก a goat goat
akแนฃadevana EKIDma dice-playing, gambling a wooden object used in a game
mah/maha mah great, strong, powerful great
ล›aแน‡แธa saฤฤa a priest, a patronym chief administrator of a temple household, an official

There is much work to be done to better understand the data but the musicological data in conjunction with textual, archaeological,ย  botanical,ย  zoologicalย  and circumstantial evidence suggest strongly that Old Indo-Aryan (commonly called as Sanskrit) was already presentย  inย  Indianย  subcontinentย  duringย  Harappanย  period,” says Vyas adding that the group of Harappans who travelled, traded and settled in Mesopotamia may have spoken some form/s of Old Indo Aryan or it was the lingua franca of the Harappan region.

 

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