Ashish Khokar loves and serves Indian arts and culture selflessly, by writing, documenting, filming, archiving, celebrating and awarding. 45+books, over 5000 articles, work with 10 inter/national organisations make his work the gold standard of the field. More details on www.attendance-india.com
As Independence Day approaches, I’m reminded of Swaraj is my birthright slogan. Today it has a totally new meaning: I ,me, myself. Tilak, Bal (nothing childish about him) Gangadhar was a Puneite. Well, that’s how we remember him even if he was born in Bombay he was brought up in Pune. Growing up in Punjab […]Read More
Raja is not a word, it is a state of being. Raja aadmi means dil se raja – large hearted. Not merely royalty. Merely? Them royals might kill me and the story of Seraikella killings come to mind. Seraikella Chhau on cover of Surya mag (March 1977) of Maneka Gandhi Seraikella is a small principality which […]Read More
Ram… Rama…Ramayeti dominated the cultural eco system last month. With the official opening of the Ram lalla temple at Ayodhya, many artistes made a beeline to visit and have the chance to perform there. Was is to get political or media eyeballs or just sheer devotion, or both, only they can say. Each to own. […]Read More
Leave it to our artistes (performing) or artists (plastic) to live up to the demands of times. Through their art works, they try make a statement, reach out and bring ordinary concepts centre stage. Sonal Mansingh did that at HABITAT with Karmayogi, which profiles the PM without even once showing his photo on stage. This […]Read More
While most things start humbly, some grow to become a banyan tree. “Sitting under a banyan tree, you’d find a Bharatanatyam teacher” my father was told in 1940s, when he asked Ram Gopal group members Mrinalini Sarabhai and MK Saroja where to learn Bharatanatyam from. They said so because their teacher Vidwan Muthukumaran Pillai had […]Read More
Pranab Mukherjee - the giant of Indian politics - was the subject of the book his daughter Sharmistha pennedRead More
In Hindu philosophy Moksha (deliverance from the cycle of birth and death) is the ultimate aim of life for those evolved. In dance like Odissi, there’s even an item in end called Moksha. Means, the end. For those still interested in artha ( material world or things) or kaam ( life -force for procreation or […]Read More
In last column, I had focused on symbols in Indian culture. What is India’s one symbol that is pan Indian. It is Nataraja now. No wonder when the mandarins of ministry of culture thought what to put in front of spaceship called Bharat Mandapam they first thought of some sculpture. Then the idea of pancha […]Read More
Culture is often defined by symbols. So Indus had that dancing girl from Mohenjodaro, which some later day historians claimed wasn’t even really Mohenjodaro or a dancing girl but a girl with hip problems! (Since it is bent at hip). France has Eiffel Tower. Italy has pasta and Leaning Tower of Pizza, err, Pisa. America – such […]Read More
Gurukul we have heard of. A place where young ones went to learn. Today, a cool guru is the operative word! Seeing young India and them millennials at a Sunday morning function celeb a 75-year-old guru (though she looks 50 – proving once again dance keeps one young, fit and smiling – like this Guru Sucheta Chapekar […]Read More
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